With the spacer in place a thin layer of glue is applied
to the guide rail, it is aligned with the light pencil mark on the left and
tightly held there for two minutes. That
gives the glue enough time to initially grab tacking the rail firmly in
place.
The clamps, backer board and spacer are removed then the guide itself is clamped down to hold it in place while the glue finishes curing. The glue lines are then carefully checked so any excess glue can be removed. In this case I used an X-Acto knife with a reshaped blade to scrape the few semi-cured bits away.
After the glue cured overnight, I added a couple layers
of blue tape to the sliding section.
This gives me about 8 thousandths of an inch space allowing the piece to
move easily between the guides.
The next day the clamps are removed and the sliding shutter is tested for smooth operation. That brought to light a couple of tiny glue spots that once removed allowed the shutter to easily move. The top photo shows the assembled camera with the shutter closed and the bottom one with it open.
This is what the interior looks like with all the fitting
and sanding done. The two black lines on
the top of the camera represent the approximate field of view which since the
camera does not have a view finder will be used for framing the photo.
Applying the finish is next but first the camera needs to be totally dissembled so each piece can be completely finished. Here’s all the parts ready to start.
Two different types of finishes will be used. A Danish Oil Finish is used on all of the
pieces except for the film boxes. As
discussed in Post #2 I was worried that a film finish like lacquer could gas
off and have a detrimental reaction with the 35mm film or its emulsion. Also, an oil finish is reparable if the
camera needs a refresh some years down the road. Applying the oil finish takes quite a bit
longer than a sprayed lacquer finish but I think it’s worth it for this
application. Applying the oil is not
hard as a cloth is used to flood the surfaces then reapplied as it soaks in for
about 15 minutes. After letting is set
for another 10 minutes or so any that is left on the surface is wiped off. I usually come back about 5 minutes later to
check to see if any has bled out of the wood pores then give it a final wipe
down. For this project I will put on
three coats and see what it looks like.
Here is what it looks like after the first coat.
The film boxes have a black dye applied to them. That’s because a dark non-gloss finish is needed between the pinhole lens and the film. I had considered using flat black paint but was concerned that where the film rubs across its edges the paint could get worn off. As the dye will soak into the wood and not set on the surface, I am much more comfortable with that being a better long-term solution. The dye concentrate is added to alcohol then applied. It also works with water as a carrier but that raises the grain which I did not want.
After three coats, they have a really dark non-gloss
finish which is what I wanted. It did
not take all that long to do as the alcohol evaporates quickly particularly
when the humidity is only about 15%.
It ended up taking three coats of the oil spread out over four days to get a nice looking even finish. With the last coat on it sets for about a week to cure out. That’s followed by a thin coat of wax which gets buffed out to matt finish.
Installation of the magnets is next and there are 15 of
them that need to be installed. I
started with the ones holding the back on.
They along with the ones for the shutter require a little more attention
that the ones that hold the knobs on.
The knob magnets get installed in the camera body and attract the steel
washer in the base of the knob. The ones
for the back and shutter act as a pair so I need to make sure that the North
and South poles of the magnets get installed facing the right direction. Installed wrong and they repel rather than
attract each other. I also wanted all
the ones in the back to have their polarity identical between sets. Here are the ones for the back set in place
ready to be press fitted.
This is what they look like installed.
Installing the pinhole lens is easy. It drops into place and is secured with the
locknut installed in the inside of the camera body. Here you can see it installed along with the
magnet next to it that holds the shutter either open or closed.
Once the magnets are installed on the back of the shutter
it gets slid into place. This is how it
looks when the shutter is open and a photo being taken.
The last pieces to be installed are the film box and the
knobs. The film box gets attached by two
screws while the knobs just drop into place and are held there by magnets. Below you can see the inside of the completed
camera plus the extra film box that’s for wide angle panorama photos.
Here is a front view with the shutter closed.
This finishes the build of the project. Below is a photo that shows one of the
prototypes used for testing and the completed camera. This has been an interesting project, small
in size but requiring a lot of attention to detail. Cost in material was pretty small only about
$20 for the wood, magnets and finish plus another $30 or so for the pinhole
lens. However, the time required for
designing and build was another matter.
I did not keep a detailed track of the hours worked as I did not want to
scare myself too early in the project.
That said given an average days’ work spent times the build duration
gives a total of between 175 and 200 hours.
Once the oil finish had thoroughly cured, I passed the
camera off to Rob for testing to see how it works and what the results are. I hope to be able to include some of the photos in the next post although as I understand it the COVID-19 has impacted production at the company developing the film.
In looking at the leftover pieces and wondering if there
was something to do with them, I came up with an idea for an item with no
functional use. This short one posting
project starts next time.
Next Up – Photos??? & A Useless Item
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