UPDATE: July 9, 2020
Rob sent me some photos from the first roll of film through
the camera and here are four of them.
While they are not modern digital crystal clear images they certainly
convey the character and ambiance of early pinhole photographs which, after
all, was the intent of the camera.
The useless item is a laminated hardwood ball made out of
leftover walnut from the camera and some thin maple leftover from I don’t know
what. In this photo of the initial
material selection not all the two pieces of walnut with the red arrows were
used.
Once cut to size here is the order the pieces will get glued up to make the turning blank.
I started from the center and worked outward. The maple pieces are first and they get glued
to the center walnut block. To keep them
from sliding around after the glue is applied and while being clamped up a
couple of small screws are used to assure correct registration. Once the glue cures the screws will be
removed and as you can see, they are outside the ball limits so will be
removed.
A couple of big clamps apply pressure and are left on
overnight to allow the glue to cure.
The next day the clamps and the screws are removed. Now the outer two pieces of walnut can get
glued on. I didn’t use screws to keep
them in place but instead use some large C clamps to hold the edges flush while
the large bar clamps are tightened. The
photo below shows just the large bar clamps in place. Note the triangle on the stack. That gives me a quick visual clue that all
the pieces are glued up in the right order and facing the right direction. I know that sounds a little funny but because
the pieces are square it’s easy to get one turned 90 degrees from where it should
be. That’s the voice of experience
talking. Fortunately, I found that
mistake before the glue had set and was able to correct the problem.
Another overnight cure and a little trim of the piece gives me not a cube but a square piece taller than it is wide. Since this will be turned between centers on the lathe the blank needs to be taller than the balls finished diameter. Don’t worry if that’s not clear later on you will see what I mean. The photo on the left shows the blank ready to be cut on the bandsaw and the photo on the right is after it’s been cut roughly round. I do that as it’s a lot easier to knock off the corners with the bandsaw rather than using the lathe.
Here is the blank after it has been turned round and to a
constant diameter. Everything outside
the white pencil lines gets removed in the first step of turning. They are really just for illustration because
as soon as the turning starts they will go away.
The turning starts out by eyeballing the arc of material
that gets removed but as I get closer a template is used to make sure I have
the right arc. This template is cut from
a sheet of typing paper that had an early version of the camera front. Here the initial turning is done and the center
line of the ball marked in white. You can see the stubs from the turning points which is why the blank
starts as a tall square and not a true cube.
Next is to remove the drive and tail centers replacing them
with some wood turning jigs I made for making balls. The partially completed ball is set into them
turned 90 degrees so the knobs left from the step 1 turning can be turned
away.
When step 2 is done, I will have a piece with an X and Y
axis trued up. Here is what that looks
like with two axes marked in white
turned. Side note, did you know that the
plural of “axis” is “axes”. Yes, axes is
the plural of ax, axe and axis making it the distinction of being the only word
in English that is the plural of three different singular nouns.
Step 3 is to rotate the piece again so the Y axis can be
trued. The goal is to cut the piece so
on each axis it spins true without removing the center line from the previous
setup. Cutting away that centerline will
reduce the diameter on that axis change a sphere to an oblong. It can take rotating through the steps a
couple of times to get a good sphere.
When the turning is done the sphere is sanded rotating through all three
axes. Here all three are done with each
marked in white.
Last is to apply a finish.
Since this is not going to have a hard life or get used very much, I
decided to use a wax-based friction finish.
To apply the wax stick is held against the rapidly turning sphere until
the friction melts some onto the surface.
It is then buffed out using a soft cloth again held against the spinning
sphere. Here is the setup with two
pieces of an old sock set between the turning jigs that act as a cushion to
prevent marring of the finish. To get an
even finish the process needs to be repeated on each of the three axes
twice. Buffing the sphere is a balance
between applying enough pressure to generate enough heat to melt the wax but
not applying so much that the friction in buffing exceeds the friction between
the sphere and the sock pads. If that
happens then the sphere stops spinning while the drive jig keeps spinning
marring the finish on that end. That’s
fixed by rotating the sphere and rebuffing that area.
This is the finished product temporally set on one of the jigs ready to take its place as a
purely decorative item.
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