With the pad finally in hand I could start working with
it. It came as a 51” X 83” sheet of
which I needed about 44” X 55”.
Unfortunately, it came with only one fairly straight edge and was not
square. I was hoping for 2 good edges
and at least one square corner but nope, not the case. Before I started cutting the pad I checked
on-line to see what the suggested cutting method was. Only real information I found was on the use of
an 100 watt industrial carbon dioxide laser.
That might be just a little overkill for me so I tried scissors and they worked just
fine. I started by straightening the
best long edge then squaring the sheet and cutting it a couple of inches
oversize. To get a straight edge I used
my 8’ level, marked it with a white pencil then cut with a pair of
scissors.
Marking a Straight Edge |
It took some time to fit the playing surface/pad to the
MDF base. Not because it was
particularly complex but because I was being very careful and double checking
my measurements. I had only one chance
to get it right and if I cut it too small there is no patching you just start
over with a new $100 blank.
Here is the pad cut to size sitting on the MDF base. I left a small tab on one corner so I could
tell which face was up and as a reference mark to set in a specific
corner. The pad is a little bumpy around
the edges as the adjustment screws are holding it up. It will lay flat after I punch a bunch of
holes for them.
Pad Cut to Size |
There are 66 holes to punch and I needed them pretty
accurately located for the pad to lay flat.
My first attempt was to use a thin piece of wood with holes drilled at
the center point then marking them out with a white pen. All that got me was a blob of White-Out on
the pad.
White-Out Marking Test |
Punching Through Wood Template |
Setup for Punching Holes |
Here everything is ready to go. The oak backer is under the pad, the template
is aligned with the edge of the pad and centered on the hole in the MDF. I know it looks shifted a little to the left
but that’s because the photo is taken a little off-center.
Ready to Punch Holes |
All I had to do
was set the punch in the template guide hold firmly in place and whack it with
the hammer. Result is three clean
aligned holes. Only 63 more to go.
3 Holes Done 63 to Go |
With all the holes punched I could move the pad into
place. Here is what it looks like close
up. The screw heads are slightly below
the pad surface per the testing done in Post 12. The center hole is for the long #8 X 2½”
screws I installed in Post 13 to lock the structural support, MDF and inner
rail together.
Pad Set In-Place Over Screws |
Pad Competed & In-Place |
I can now do the final bit of disassembly. The MDF comes first after I remove the 100
screws holding it on. Last to come apart
is the sub-structure that supports the MDF.
There is only one bit of wood work left.
Back in Post 13 I found that the first couple of long #8 X 2½” screws
did not bite into the inner rail as much as I thought they should so I counter
sunk a couple of them another 3/8” into the structural support which helped
tighten things up. To make sure I did not
forget to drill the rest I stuck this note next to the ones I had
re-drilled.
Note so I Don't Forget |
After drilling the remaining
holes I was finished with all the wood working.
Here are all the parts and pieces that go into the table except for the
pad.
One Game Table Some Assembly Required |
When I was doing all the initial testing to get a stain
color I was doing it in tablespoon batches.
This was fine for tests but not practical for doing the whole
table. I am going to scale it up to a
cup or 16 times the original mix. Here
is chart of how that plays out.
Process I use is to gather all the materials and sit at
the bench to measure out them out. The
photo below is my setup. For a solvent I
can use either water or denatured alcohol.
I use alcohol since it won’t raise the grain when applied. The glass measuring cup next to the can of
alcohol is used to measure the alcohol.
I use that to rinse out the dye measured in the small plastic cup in the
center of the photo into the larger mix jar in the center with a blue lid. At this point I have all the dyes in the mix
jar except for the red.
Stain Mixing |
Sometimes scaling up a mix is not always linear so after
I finished the mix I made a test piece complete with a couple coats of finish
to compare against the original. It is a
really good match perhaps just a slight bit darker but then that may be due to
the piece of oak it went on.
Scaled-up Stain Sample & Original Test Pieces |
I did one last test using a large cutoff from the table
top itself and at first glance it looked great.
Stain Test on Table Top Scrap |
However, when I looked closer I could see that some of
the pores in the oak were not stained.
They are the elliptical areas that are a lighter color. The lighter color is where the three coats of
lacquer had mostly filled the pores. My
guess is they are so narrow that the surface tension in the stain mix keeps
them from being stained. This is not
usually a problem because I don’t normally apply a stain this dark and any
pores that have no stain blend in. For
reference the lines at the bottom of the photo are my ruler and are 1/16”
apart.
Problem with Stain & Pores |
I looks like I still have some work to do before I can
really start on the actual finish work.
While thinking about how to proceed I will do a major clean-up in the
shop dusting and vacuuming as much as reasonably possible to keep dust out of
the finish.
Next Up – Resolving Stain Problem & Starting the Finishing
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