My poor fingers, I think they will never, ever talk to me
again. My thumb and forefinger were so
tender that it was difficult to button my shirt. I just had to let them rest for a few days
after working on the transitions between the rockers and the legs. Because there are just not too many flat surfaces on
this piece that can be machine sanded this means that most of the sanding is
done by hand.
Fortunately for my fingers due to the type of finish I will
use on the test piece it does not require any additional sanding. However, the cherry still has quite a bit of
work left. I started by setting the
chair upside down on the work bench and began with the bottom of the rockers
working my way from 120 grit sandpaper to 150 and ending up with 220. I will stop there until just before finishing
then go over the whole chair one more time using 320 grit. If I had gone with a coarser more open
grained wood like oak I would probably stop with 220 grit. However, my experience with cherry is that
stopping at 220 grit still allows very fine scratches to show up through the
finish. One of the things that showed up
as I moved to the finer grits was the occasional scratch that did not sand
out. The fix is go back to the previous
coarser grit, sand that spot then go on to the finer grit, sand and see if it
is gone. If so, you’re good, if not
repeat. While upside down I examined the
leg to seat joints and had to back up a bit.
What I thought was fine at the time ends up being not as good as it
could be. I think the experience of
sculpting has taught me as I did more of it.
Anyway, I needed to refine the joints with a small file before doing the
finish sanding.
Finished Front Seat to Leg Joint |
Rear Leg to Seat Joint - Not Quite Done |
With the underside of the chair done I flipped it over and
started on the top side of the rockers and those infernal leg to rocker
transitions. From there I worked my way
up to the seat and ended up with the top of the seat. Not many photos here because the only thing
more boring than shots of sanding is watching paint dry. At this point I have only two things to do
before applying a finish. First is to
fix the thorn in my side better known as the flaw in the side of the seat and
second is to go over the chair with 320 grit sandpaper just before I put the
finish on. Have I mentioned that there
is a lot of hand sanding on this project?
At this point I have two chairs nearly ready to finish. The one made out of cherry and then the test
one made out of 2x4 and 2x6 construction lumber. They are nearly identical with these differences:
- The construction lumber pieces are thinner at just under 1½” thick while the cherry is a fat 1¾”.
- The construction lumber rocker has 5 back slats versus the cherry one having 7. There are two reasons for that. First is the splay angle for the rear legs on the test chair is less than the cherry resulting is less width at the headrest. Second, I just did not want to make 7 slats for the both so the construction lumber chair has slightly wider slats but 2 less.
- The construction lumber chair’s back is a few inches shorter because the lumber I had was not long enough to make the back legs the same length as the cherry. It’s a test piece remember, and at first all I was going to do was test out the sculpting process for the seat.
Since I was still undecided on how to fix the flaw in the
side of the seat I thought I would do some sample fixes and see if one stood
out. I took a leftover piece of cherry
and drilled four ¼” holes (roughly the same size as the flaw) in it about the
same depth as the flaw. I then filled
them using 4 different methods:
A. Super
glue and fine cherry sawdust.
B. Translucent tan epoxy.
C. Same tan epoxy and 50% fine cherry sawdust.
D. Black epoxy.
B. Translucent tan epoxy.
C. Same tan epoxy and 50% fine cherry sawdust.
D. Black epoxy.
I let everything cure overnight then sanded them flush and
worked through the various sandpaper grits to 400. When that was done I put the sample against
the flaw and made an evaluation. At this
point "C" the translucent tan epoxy and 50% fine cherry sawdust looked the
best.
Next was to give the test piece a quick coat of lacquer to
see how it looked against the dampened flaw.
I dampened the flaw to simulate the color after the finish is
applied. With these changes the fix that
looked the best was "B" the translucent tan epoxy.
Since this epoxy is translucent it lets the structure of the flaw show
through albeit softened but provides a smooth surface.
With the decision made I mixed up a small
amount of the epoxy, packed it in the flaw, let it set overnight to harden then
carefully filed it down flush with the wood and sanded it up through 800 grit
sandpaper.
Finished Patch of Seat Flaw |
With that done I started on the FINAL sanding with 320
sandpaper in preparation for finishing.
To reduce the darkening of end grain when I finish I hit those areas
with 400 grit. One good thing about the
finer grits is they don’t sand the skin off my fingers quite so fast and my poor abused finger tips really appreciate that.
Chair Sanded and Ready to Finish |
After the sanding was done I thoroughly cleaned up the shop
dusting off all the equipment, sweeping the floor and while I was at it dumping
both dust collectors. Since I will
be doing the finishing in the shop I wanted to get as much dust cleaned up as
possible. Last steps are to vacuum the
floor, blow any residual dust off the chairs then set the air cleaner to run
for 6 hours and call it a day.
Thanks to your heads up on the brutality of the sanding to ones fingers, I searched on Amazon and found some really inexpensive carvers' cloth finger cots. I taped them on thumbs, index and middle fingers with medical tape and they really saved me the agony that you and others describe.
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