The original table (top photo) is made of cherry and has curly maple panels for the drawer front, flanking inserts plus side and back panels. That’s a possibility here too but I have also been looking at other woods including zebrawood and leopardwood. I am leaning toward using leopardwood cutoffs which are strips from a snare drum I made (bottom photo).
As the pieces of leopardwood are not wide enough to make the panel a couple of them will need to be edge glued together to get the required width. Also, as the strips vary from 1/8” to 3/8” thick they are all short of the ¼” thickness needed. The solution is to take the thin edge glued pieces and glue them to a base of something like alder so the total thickness is ¼” thick. Because the panels will only be seen from one side, I need just one good face. All this starts by marking the center of the 3/8” pieces so they can be cut in half. Below the top photo shows two of those pieces and my marking gauge. The bottom photo is a closeup of the marked-up edge. The reason why there is a set of parallel lines is that it’s easier to get close to half the distance and mark from both sides versus taking the time to get an exact center line. With two lines all I have to do is cut between them to get equal pieces.
Next, it’s over to the bandsaw to rip the them in half. That’s followed by running them through the thickness sander to clean up the bandsawn surface and bring all the pieces to the same thickness of just under 1/8”. Here is the bandsaw setup.
One advantage of splitting a piece of wood this way is these pieces can be bookmatched when glued together so they form a mirror image of each other. In this case since leopardwood is not a linear grain most of the effect is lost but the color and figure of the wood is virtually identical so the joints will all but disappear. Here the pairs have been pulled together to roughly show what I mean. Once glued up it’s going to take a very close look to identify the joint between the two pieces.
Because the pieces are so thin edge gluing them together requires a little more work than just adding glue and clamping them together. The glue-up starts with a flat base in this case a scrap of shelving that has plastic laminate on it. On top of that a 6-mil piece of polyethene is laid down. Since the glue does not adhere to the polyethene this prevents the wood from being glued down to the base. A thin bead of glue is applied to the edge of one of the pieces and it is set down on the polyethene. The other piece is set next to it so they are side by side then they are rubbed together spreading the glue along the joint. The rubbing also causes the glue to grab holding them together. A damp cloth is used to wipe the squeezed-out glue at the ends then a small piece of the polyethene is laid across the joints and two vertical clamps are added to hold the pieces flat on the base. Three more horizontal clamps get added to squeeze the two pieces together. These don’t require a lot of pressure. Last a damp cloth wipes up any additional glue that gets squeezed out. In my experience it takes overnight for the glue to cure as the polyethene acts like a barrier slowing the curing process down.
After curing overnight, the clamps get removed and the glue line checked. The top is fine but the side that was down on the poly had a little glue squeezed out during the clamping which spread out across the joint that needs to be removed. I could run it through the thickness sander but would rather not. When using the sander to remove glue some if it gets transferred to the sandpaper which creates a gummy residue degrading the ability of the paper to cleanly sand off the wood. That in turn causes the residue on the paper to heat up and put a burn line on the wood. To minimize that problem a card scraper shown at the top of the left photo is used. It’s a thin piece of hardened steel with a little burr that removes whisper thin wood shavings. The right photo is me using it along with the lower part of the joint showing what I end up with. When done there is just a tiny bit of glue exposed to the sander. One other thing, just above the scraper are the wood shavings it removes. The pile is a mix of shavings and dust. The dust tells me the edge is dull and I need to redo the burr.
While the glue-up of the veneer is in progress it’s time to select and prepare the base it will be applied to. Early on I had thought about using alder as a base but while going through the available stock I came across some 5/8” by 5½“ wide cedar dog-eared fencing planks. I keep a few of these on hand for jigs and other miscellaneous uses. They are inexpensive and if one carefully sorts through the stack (1 in 30+ is good) you can find quarter sawn clear ones. The one thing to keep in mind is that they are not dried. Most of the time the moisture content is well over 30%. That is way too wet to use so they need to sit and dry for a while. Now that time will vary depending on where you are. Here in the desert where the humidity is often in the single digits things dry out in a hurry. These are well over a year old and test out at around 5% moisture content which is great. First step is to run them through the planer just like I did with the oak at the beginning of this project. The photo on the left is before surfacing and the photo on the right is after.
Next Up – Veneer Panels Part 2 & Trimming Legs to Length